After decades trapped in the Hollywood studio development limbo, “Beetlejuice Beetlejuice” has finally arrived. Tim Burton’s eagerly awaited sequel is set to hit theaters next week, but it has already made its grand debut at the Venice Film Festival, sparking a wave of initial reviews across the internet.

Critics are generally pleased with the film, though not overwhelmingly ecstatic. The sequel’s sense of humor and the performances from its talented cast have been the focal points of praise. The impressive ensemble includes Michael Keaton, reprising his iconic role, along with Winona Ryder, Catherine O’Hara, Jenna Ortega, Justin Theroux, and Willem Dafoe. While the film may not be groundbreaking in its ambition, it delivers ample laughs and marks a delightful return for Keaton’s beloved character.

“Beetlejuice Beetlejuice” serves as both invigorating mainstream entertainment and a cinephile’s delight, utilizing various silver screen techniques and drawing from cinematic history.

Stephanie Zacharek from Time notes that this sequel to Burton’s 1988 pop masterpiece doesn’t aim for greatness or an over-the-top fantastical vision. Instead, Burton embraces a playful and fun approach, tapping into the maniacally spirited essence of his golden-era hits. This reinvigorates the director’s unique style.

Marshall Shaffer of The Playlist emphasizes that this film represents a joyous return for the legendary director, making it stand out amidst a slew of poorly conceived sequels.

Hannah Strong from Little White Lies describes it as a much better-executed and enjoyable film than one might expect.

Tori Brazier of Metro finds the film tricky to define and evaluate—while it may not be mind-blowing, it is certainly entertaining.

Owen Gleiberman from Variety sums it up well by stating that while the sequel may not surpass the original “Beetlejuice,” it contains enough of Burton’s signature charm to be worthwhile.